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THEY DON'T TELL YOU TO THINK

by Fear Not Ourselves Alone

supported by
Jessica Wolfbird
Jessica Wolfbird thumbnail
Jessica Wolfbird This EP is a touchstone for me, Jorge / Ivan / Ivy is a beacon of truth-telling, personal wisdom, and introspection that flowers into something uniquely shareable with the world, moving as heck. This EP can fully change the tone of my day, and mind. Thank you for your art. Life-changing stuff. xoxo p.s. I can't select a favorite - the collection works as a whole for me
e
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e warm and nice, i rly love it Favorite track: simón bolívar says my name.
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1.
i am starting to think it is enough just to exist now tell me if this makes sense to you your body is a narrative it does not start when you are born it’s always and always and always when my mother is beating the shit out of an 8th grader for picking on her little sister i say to her, “mom, you were a bully?” she says to me something about how she had to be in spanish, she says something about survival then a couple years later and a couple thousand miles away my father is enlisting in the colombian military the girl who sells arepas down the street claims my father is the father to which he denies and i don’t hear that story ‘til 30 years later but that’s my brother that’s my son that’s my alternate universe why? because my actual cousin in medellin, colombia is a bisexual and what does that mean? it means i would be a faggot no matter where i was born it is there i hear simón bolívar say my name, he says jorge and it is hot it is romantic it is empowering and it’s like, problematic in a coffee shop in st. louis, missouri a white queer woman is commending me on the way i weaponize my mother’s trauma the part of me that is a funny poet wants to be like, honey, i am not weaponizing, i am survived by my mother’s trauma then there is the part of me that is a decent human being wanting to call me out on what i am doing this is called exploitation it is there i hear simón bolívar say my name again, except this time it’s by my middle name, ivan, but there’s a differing resonance so it sounds more like “ivan” and I think to myself- weaponize trauma? my skin is white! i inhabit the colonized body while wearing the colonizer’s face it’s like a peace sign, or a white flag, or a white fag i’m a white- bisexual bitching and moaning about my problems invading spaces not meant for me then opening up a dialogue about it virgos, we hate to be the center of attention but men, they love that and i am a man, or i am socialized as one, or something and something and always intertwined into amalgamated histories but it’s modern society it’s the person i want to be when it’s “jorge”, or “ivan”, or “EYE-VAN”, or “ivy” it’s there i hear oscar wilde scream he is screaming behind the jail cell bars he met with at the intersection of his destiny and his desire he is screaming something about how maybe we can all be beings of multiplicities it is then i want to say to him in reply it is then that i want to scream then maybe, we can all be latinos maybe, we can all be faggots too and maybe, there is potential for love outside of trauma outside of the burdened weight of our parents’ debts maybe there is potential for love in the queer body and maybe we are more like souls we are airy beings with ethereal names floating and crashing into one another developing a new language for compassion as we hurt each other but my discourse is shaped like a halo it’s maybe angelic in its delivery but it is circular nonetheless perhaps ending right where it begins because if all i have to offer you is my own singular, individualistic, self-serving confusion then i wonder in what ways this would make sense to you your body is a narrative now tell me if this makes sense to you i am starting to think it is enough just to exist
2.
i am learning what it is to navigate an intricacy color lines and boundaries everything my mother says to not put on the internet is on the internet, unfortunately i log onto Twitter sometimes and see my ex-best friend at the top of my newsfeed she has one tweet that reads, “being transgender is knowing you’ll always be your father’s son and being ok with that” i read this during the year i plan to move to philadelphia, out of my parents’ house to answer the gendered question my little cousin leaves a note on my bed that reads “jorgito please don’t go” and i don’t go i remain my father’s son, making peace with the terms I am still learning to accept except, one september night I run away from home, asking my parents, “where did we go wrong?” and i think it’s more like a question for myself, because, what is the weight of diaspora to the generation who never experiences immigration? is it heavy metal rock hands in a foreign country? because if so, fuck yeah baby, I’m in it! or is it honeycombs and birthing hips, the look on my lover’s face at the point of conception? we pause for a moment to consider the consequence, then let it settle in. settling down with our intergenerational paycheck pouring limonadas for our little gringitos as we play house in florida it is a place we can learn to forget and then let it settle in, then let it settle in, then let it settle in. it is not so much a nothing as it is a something, crying over a podcast where a child picks their gender you begin to wonder how many lifetimes you’re going to spend crying over something as stupid as a gender your parents speak the gendered language but refuse the gendered child your white friends talk to their parents about a thing like fucking you’re your white friend’s best white friend yet you don’t know how to talk about anything I wanna be a philadelphia transvestite who talks about everything a cool riot grrrl who rolls her r’s extra long so you know where the fuck she came from the rage of menstruation flowing inside me without ever knowing the trauma in culture of silence, what is trauma to the mother of a child who has come out broken? how embarrassing must it be to invest so much of yourself into someone only to find out they have come out broken, then let it settle in. They don’t tell you to think, because you shouldn’t have to They don’t tell you to think, because that is your privilege They don’t tell you to think, because they just had to deal with it They don’t tell you to think, because there is still work to be done. i fall in love with old latina women at the gym who only understand the body as a form of currency they know they ain’t shit and i hope to grow up pretty like them as i chip away at the gendered question, my hands become calloused resembling more like my father’s hands he is a mechanic, and a karaoke singer and i, i am someone who wants to talk about everything
3.
ivy 2 02:12
what are the things telling you you’re undeserving of love? a gas leak into a water vein from a bird’s eye view the cracks in the foundation resemble electricity lines they are roads less taken they lead to rows of suburban homes where there are televisions turned on, but dead flowers in the vase there is the joyful laughter maintained by the language of your parents’ patria, but there are dead flowers in the vase there is a network of cisgender boys and girls who take up space at family functions, but there are dead flowers in the vase there are the days i wake up without my other name but still i want to taste her i am mute amongst the growth of flowers i grow titties without estrogen so i can look at my mother in the eyes again there is no happiness without consequence there is no cause without a sword i will remember you amongst the ivy there are parts of myself buried deep within me

about

“THEY DON’T TELL YOU TO THINK” is a collection of identity poems written from February 2018-March 2019.

They are poems about holding: holding an identity close for warmth, holding it closer in uncertainty. They are poems about the intentional and unintentional forgetting of a name, of a body, of someone else’s weight against your own. They are poems about the choices we make to make the time more meaningful in its passing.

They are what I think about at my most quiet and what I want to express at my most loud.

Do you hear my love in echoes?

love you // love you,
a name from too many (Elena/Ivan/Ivy/Jorge)

credits

released November 20, 2019

Recorded in Spring 2019 at The Closet Mansion in Queens, New York
All words and sounds by Jorge Ivan
Album art by Jonathan Baron
Mastered by Mac Porter
Tape release by Mobile Suit Music

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Fear Not Ourselves Alone Queens, New York

The last punk band from Queens, New York.

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